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Twista brings his nasty flow to “Destroy You”, with help on the hooks from Bone Thugs-n-Harmony. The super-smooth single “Holla at Me” still bumps, featuring Lil Wayne, Paul Wall, Fat Joe, Rick Ross and Pitbull rhyming over a Bambaata sample (although without the video, one misses Fat Joe’s grill that looks like the Puerto Rican flag). On “Problem”, Jadakiss joins his old enemy Beanie Siegel, as Beanie reflects on recent schisms in the industry. “Gangsta Shit” is practically a time capsule, with Bun B, Young Jeezy, Slick Pull and Bloodraw at their best over some giant organs swells. Not surprisingly, half of Listennn has shown up on more than a few mixtapes. and damn near every other rapper that made a notable move in the last two years contributing. It takes connections to assemble the all-star roster that appears on Listennn, with Young Jeezy, Bun B, Lil Wayne, Juelz Santana, T.I. DJ Khaled’s official mixtape, Listennn, is another huge step forward.Īs well as being the biggest radio DJ in south Florida, Khaled is an industry veteran as a testament to his networking prowess, the liner notes to Listennn are more than half shout-outs and pictures, including an extensive “FOR ALL THE DJ’S WORLDWIDE” segment. Producers Cool and Dre have become major figures and Rick Ross ruled the spring with his trunk-destroying anthem “Hustlin'”. The city exists in rap’s collective conciousness, who needs lyrics? But things have looked up for Dade rap this year. Bronx legend Fat Joe spends half the year down in Dade. Meanwhile, Miami hosts several industry conferences a year and rappers across the country shout out Miami clubs as often as Miami emcees. But these artists produce seemingly at random, with Trick’s semi-annual single as a dispatch from the area confirming its continued existance. Others have found success outside the city: Lil Jon has propelled Cuban rapper Pitbull into stardom, while Bloodraw now rolls with Young Jeezy in USDA. Trick Daddy hasn’t made a bad album in about five years (with 2004’s Thug Matrimony: Married to the Streets a genuine classic) and labelmate Trina has been equally prolific. True, Dade county has its share of rap stars. Tariq and Gunz don't flow with vocals and hooks as catchy as those of their present day counterparts in the rap game, but they make up for it with resolutely opinionated quips and boasts.As Houston has blown up, Atlanta continues to churn out new sounds annually and Memphis rap is now Oscar-worthy, Miami has played a disproportionately small role in southern rap’s rise to the top. They lace their ballin' beats with raps of mic supremacy, sexual prowess, Bronx shout-outs, and accounts of their extensive wealth, as witnessed on the album's first single, "Déjà Vu (Uptown Baby)." You won't find anything very innovative or original on this album, a fact the two readily admit in one of the many racy interludes when they remark that their party raps are designed for airplay and quick money, and not necessarily for "keeping it real." One refreshing aspect of Make It Reign, though, is the raw, hardcore raps that the two bluntly unload on occasion. On Make It Reign, Lord Tariq and Peter Gunz continue the trend of hip-hop's heavily danceable and materialistic reputation. Make It Reign is an album tightly produced and packed together so that it rolls and flows from one end to the next with jiggy beats and braggart raps. You could compare the debut release from the rap team of Lord Tariq and Peter Gunz, Make It Reign, to the party rap albums of such hip-pop stars as Mase, Puff Daddy, and the Lox, and you wouldn't be missing the mark by much.